Make Good Art.

-Neil Gaiman

Thursday, August 19, 2010

Rest



When I was no older than six, I overheard my mother talking about the movie The Exorcist. I was raised in a Roman Catholic household, where the idea of demonic possession was more than fodder for a scary move. It was a real possibility, and you had no control over whether or not it happened to you.

The thought of your body being inhabited by a demon is terrifying at any age. At six, unable to even comprehend Satan or God (or for that matter, mental illness), the thought was enough to make me sleepless for well over a year.

I could fall asleep easily enough, thanks to a Strawberry Shortcake bedside lamp complete with nightlight. I'd curl up with my Rainbow Bright doll and fall fast asleep.

But every night I woke up in the early hours of the morning, long after my parents had fallen asleep convinced that the devil was in my room and was trying to find a way inside of me. I'd drag my pillow, blankets, and Rainbow Bright into the hallway and fall asleep between the bedrooms, in the comforting glow of the bathroom light. And every morning my mother would get up to make lunches and have a cup of coffee before waking us only to have to step over me in the hallway, sound asleep.

I never told my parents what scared me so badly.
***

Sleep disorders are part and parcel of my family. Everyone has, at some point, had issues sleeping. I don't think my father has slept more than five hours a night in my lifetime, and I'm convinced he has sleep apnea. If nothing else, he snores fit to beat the band. Mom talks in her sleep, as did my older brother when he was a child. I sleepwalk and have dreams I can't differentiate from reality upon waking (this happens at least once a week). My younger brother also had issues sleepwalking though much of his childhood. More frightening, he had night terrors (different from simple nightmares) from which he could not be woken. My mother would wake in the middle of the night to her youngest child shrieking and crying and couldn't do anything to help him. When she asked our pediatrician about it, he responded with typical Midwestern blandness.

"He'll grow out of them."

I've never asked if he has.
***
I pull off my eye mask and struggle to sit upright. The red clock on the microwave reads 1:43. For the past four nights I've woken at 1:43 to get up and wander around the apartment for an hour or two. I read, a little, but mainly I just pace until I'm tired enough to return to the recliner to which I'm banished while I wait for my broken ribs to heal.
The insomnia, I think, is preferable to the nightmares and relentless sleepwalking of the week before.
I think.
***

When describing my sleepwalking to friends, I keep the tone light. I tell them the funny sleepwalking episodes--the time I thought I was the grand empress of Prussia and was being attacked by an army of trebuchets. Or the time I thought my roommates had smeared canned tuna all over my room and spent forty minutes hunting high and low for a non-existent can of tuna. They make light of the sleepwalking, mainly because none of them have ever seen me do it.

I do not tell them that--even a few years ago--I would let myself out of the house or my dorm room and wake up outside, totally unaware of how long I had been there or what had persuaded me to rise in the middle of the night. I rarely remember the dreams that drive me
from my bed, and when I do, I wish I hadn't.

The nightmares are almost always they same. A post-apocolyptic vision of the world that would put Cormac McCarthy to shame. I almost always wake up with a shriek dying on my lips, drenched in sweat, with my heart racing. I've woken from these dreams tangled in bedclothes, huddled in a corner of the bedroom with my arms above my face, locked in the bathroom with
 my back pressed against the door.

When I do finally wake up, it takes awhile for my heart to slow down. I turn on all the lights in the house, take the blankets from the bed, wrap myself up, and sit on the couch for long minutes.
I'm not so far from fears of demonic possession afterall.
***
When my bed is an option (as I hope it will be again very soon), my routine rarely changes. I am tucked in among the covers, computer, alarm clock, and any other light-emitting object banished to another room by 10:15. The sheets always smell like lavender, I always read until 10:30 or 10:45, and I always keep a glass of water next to the bed. I wear practical pajamas of the same style every night. After reading, I pull my eye mask over my eyes and curl around my body pillow hoping that, tonight at least, I'll be able to rest.

Wednesday, August 18, 2010

In Praise of Sleeping Alone


In Praise of Sleeping Alone

Everyone talks about sharing a bed
as if it were the greatest thing for sleep
since the invention of the down comforter.
I prefer sleeping alone,
stretching out diagonally on my firm,
but not too firm mattress.
Wrapping myself in a cocoon
of all the blankets on the bed
only to kick them to the floor
in the middle of the night.
I delight in pajamas that are comfortable,
utilitarian, and utterly uninviting.
I boldly leave the bedside lamp burning
until three or four in the morning
when I'm reading a new detective novel
gloriously unburdened by care for another's rest.
Even on the nights when I rise
plagued by nightmares or common anxiety
I do not wish for the calm, steady breath of another
or his warm sturdy presence under the quilt next to me.

Sunday, August 15, 2010

Soundtrack

At fifteen, my friends and I liked to compile "The Soundtrack to My Life" lists and post them on our livejournals.

I am utterly embarrassed to admit both that I had a livejournal and that the following list belonged to me.
  1. Dashboard Confessionals: Screaming Infidelities
  2. Nirvana: Come As You Are.
  3. Thursday: Standing on the Edge of Summer
  4. Jimmy Eat World: Chase These Lights
  5. The Alkaline Trio: Radio
No one could fake sadness quite like 15-year-old Kelly.

***

Lauren and I are driving home after stopping in to see two of my good friends in Minneapolis. They're in a relationship that just seems to work. I love going to see the two of them together because they compliment one another so well. I'm feeling more effusive than normal and am, in Betsy's words sharing my feelings.

"I'm just frustrated." I say, probably more than a little petulantly. "I don't second-guess myself. But Lauren, I'll be damned if I don't miss him. And it's not as though I'd ever want to date him again and it's not terribly bad. There are other men who make my stomach fluttery now. It's just...sometimes it takes me by surprise. When I'm writing a letter to someone, or come across a passage in a book I love and I think "Oh, he'd appreciate this." I'm brought up short by the fact that I don't get to have him in my life anymore."

"Oh, honey," she says. "I know."

***

If I were writing The Soundtrack to My Life for this part of my adulthood, I honestly don't know what I would put on it. My fifteen year old self would be struck dumb by that admission (thank God. Much to her chagrin, despite all of her Emo-kid clothes and time spent rereading The Catcher in the Rye she wasn't terribly interesting.) I've stopped thinking that way. Springsteen, I think, would make an appearance. So would Old Crow Medicine Show and probably some Patsy Cline.

There is one song that I can say, definitively, would make it onto the list. It's an Ella Fitzgerald/Louis Armstrong duet: "They Can't Take That Away From Me." It is perhaps one of the most bittersweet songs I've ever heard. Normally, jazz is my "I'm-falling-for-someone" music. I reserve heartbreak exclusively for Patsy Cline, Johnny Cash, and a bottle of Maker's Mark, but something in the way Ella sings: "The way you hold your knife/the way we danced 'til three/the way you changed my life/no they can't take that away from me" catches my heart every time. It reminds me of the little things I always savor at the beginning and conclusion of any relationship.

When I fell for the last guy I dated (and fall I did, ridiculously hard and very, very fast) I fell for the most insane things. The way he fidgeted with the ring he wore. His dorky, contagious enthusiasm for woodcuts. The way he laughed at my exuberance over a new pair of rainboots. They were sweetly, unexpectedly endearing. They are things I miss.

I still can't look at Dore woodcut without feeling a tug.
***
At 15 I liked my sadness straight. Perhaps mixed with a little self-loathing or teenage angst. I prefer joy to sadness these days, the same way I prefer music where you don't need the liner notes to understand the lyrics. Sadness has lost its sharp tang, perhaps I lack the energy to mix in all that anger and frustration.

Perhaps I've just learned to savor the bittersweetness.

Tuesday, August 10, 2010

Broken and Breakable

Shortly after my cycling accident last weekend, Andy was on the phone with Lauren trying to explain to her where the trail would cross the road and give her a little preparation for exactly how bad I looked.

"Give me the phone."

"What?"

"Give me the Goddamn telephone." Apparently there was something on my face (aside from the copious amounts of rapidly drying blood) that brooked no argument. I took the phone, gave Lauren precise directions and street names. When she asked "How are you?" I paused for a moment before answering.

"You know in The Moor when Russell gets dumped off of her horse onto the stone fence? Yeah, it's about like that except with more blood." She laughed and got off the line. I handed my cell phone back to Andy to supervise and he gave me a befuddled look. I hoped rather than believed that it was because of my calm command of the situation. I found out later it was because of the obscure pop culture reference I had made.

The reference was to a series of pulp-fiction detective novels Lauren and I both read. The series, written by the inimitable Laurie R. King, focuses on the escapades of Sherlock Holmes late in his career and his partner and wife Mary Russell.

I love the books for many, many reasons. My father has always been a fan of pulpy, detective/thriller novels and indulging in one always reminds me of him. I love King's writing style and her loyalty to the Conan Doyle canon. Most of all, I love (and want to be) Mary Russell. An academic theologian and a detective; a woman who can read half a dozen language and an admirable shot; a lover of beautiful things and someone who can rough it; capable of deep love and necessary distance, she represents so many of the ideals to which I hold myself.

Over the past week and a half I've been more or less a modified invalid. It hurts to get up and move around too terribly much, so I've been housebound. It's tedious, to say the least. Additionally, the amount of painkillers I've been on have left me either incredibly sleepy or unable to read a sentence and comprehend its meaning. I'm too restless to watch movies or television and I don't have a t.v. anyway. Thankfully, a few months ago Lauren's mom hooked me up with audio books of the Mary Russell series. Having a real, physical person read to me is perhaps the greatest pleasure in my life, with audio books as an almost-good-enough substitute. I can turn the Russell books on and fall into a familiar story. As I've read them so many times, it doesn't matter if I drift off for twenty minutes during one of the books. I can always find the thread of the plot upon waking. There's usually at least one good one-liner per book, and I've had one that I've been using on Murphy often over the past couple days whenever some admonition of hers proves to be right: "Lord, Holmes, isn't it dreary being right all the time?"

Late last week, propped up on my couch with a heating pad and a cup of coffee to hand, I was writing a letter and listening to a Russell book when a piece of King's writing nearly struck me dead. Russell, convalescing after being kidnapped and psychologically tortured (one of the charms of the detective genre is its flair for sensationalism) reflects on the difficulty of (what else?) vulnerability. She hates: "Holmes, who saw me in that despicable condition and burnt me with his compassion."

The hardest part about healing is not the pain in my ribs or the itchiness of the various scrapes and cuts as they heal. It is not even in the 2-5 weeks of waiting I have left before I am finally mended.

The hardest part is the burning, searing compassion in my friend's actions as they help me dress, move furniture, take out my garbage.

It is recognizing (however quietly) that I need them to do these things for me.

It is that despite the fact that I make my living thanking people for their generosity, I cannot even being to fathom how to say thank you now, when it matters most.

It is in admitting I am broken and breakable.